IQ 'The Official IQ30 European
Weekend Celebration'
22/23 October 2011, De Boerderij, Zoetermeer (NL)
Almost every year Marillion
organizes several successful weekends for their fans. Recently this
idea had been taken over by Pendragon
with a Mega Daze weekend in April 2011 during which their latest album
Passion (see review) was released. In a
way, IQ used the same idea
for the celebration of their 30th
anniversary. De Boerderij at Zoetermeer had been chosen to be the domain of IQ
on October 22 and 23. De Boerderij is a well-known venue for the band since
most of the Dutch IQ-gigs were held here.
Probably most IQ-fans had been looking forward to day
one. For the first time in twelve years the band would perform their
masterpiece Subterranea (1997) in its
entirety.
Those who had seen the live shows of this concept album, or had watched
the DVD know that this is an incredible experience to witness. Not all musicians
who performed the original live shows are still members of IQ.
Mike Holmes,
Peter Nicholls and Paul Cook
are still around, but keyboard player Martin Orford
left the music business. For the recordings of
Frequency (see review) and live concerts he was replaced by
Mark Westworth,
who now has left the band as well. He was recently replaced by
Neil Durant. Sadly enough bassist
John Jowitt
left IQ either after being a member for nineteen years. His farewell meant that
former band member Tim Esau returned.
He used to be the original bassist of
the band from 1981 to 1989. These line-up changes had no effect at all on the performance
of Subterranea. On the contrary; the
band had made sure to relive this extraordinary show in full glory.
Just like twelve years ago IQ used a large projection screen at the back of the stage and a transparent curtain to cover the stage behind which the musicians sometimes performed. Everything turned out to be exactly the same as during the first performance of Subterranea: at the start lead singer Peter Nicholls still sat behind imaginary bars, he still wore a leather bondage hood later on in the show, he still 'killed' somebody on stage and towards the end the musicians still changed their black blouses for white ones. During the show Paul 'Cookie' Cook appeared to be the driving force on stage. His drumming especially dominated the up-tempo songs. During the quiet and almost ambient pieces guitarist Mike Holmes assisted Neil Durant on keyboards. It proved that
Holmes is not only an excellent guitarist, but he can also handle the keyboards
adequately. His guitar synthesizer effects were just brilliant. Durant did a
hell of a job learning so much new material in such a short period of time.
It's difficult to compare the bass playing of Tim Esau to that of John Jowitt. Esau's
playing is less pretentious, but just as good as Jowitt. I couldn't discover any
weak spots during the performance of this difficult stage show. It deserves a
big compliment for all involved in this breathtaking show. After this exhaustive
piece of progressive rock music not many people expected the band to do an
encore, but they did anyway. The first encore was a fine version of
No Love Lost featuring guest musician
Johnny Griffiths
on saxophone, who also played during the performance of
Subterranea.
The second encore included sublime versions of
The Darkest Hour and The Wake.
After the second encore Mr. Nicholls thanked everybody
for showing up and he ended by saying: see you all tomorrow! Well, the first
day of the 'Official IQ30 Weekend Celebration' made it already a perfect
weekend with the superb live version of Subterranea.
Who could have asked for more?
Day two started in the afternoon with an IQ-quiz, but I hadn't yet arrived at the venue to witness it. Just a couple of minutes before the second gig I entered the building. As usual the concert started with strong visuals at the screen at the back of the stage showing all kinds of line-up shots from their thirty-year long career. These shots were accompanied by a newly written and excellent instrumental piece called Eloko followed by a fine version of Outer Limits from the band's second album The Wake (1985). Strangely enough they continued with The Darkest Hour, the third encore of the previous day. It was again well-performed, but I would rather have heard a song they hadn't played earlier this weekend. Leap Of Faith, for instance, wasn't performed at all. A bit sad because this piece belongs to the highlights of the band's back catalogue! The next track Born Brilliant was connected to Frequency without an interruption. The Last Human Gateway, the band's first epic from their debut Tales From The Lush Attic (1983), was enthusiastically welcomed. Nowadays, IQ hardly performs the complete version of this fine piece. As far as I can recall, they last performed it in The Netherlands in 2004 at 013 in Tilburg. Next was Through The Corridors, also a piece from the band's debut that's hardly ever on the set list. This three-minute piece proves that a good prog tune doesn't have to be that long.
Next the band performed three tracks from the albums with
Paul Menel
being their singer and frontman. Nicholls
never had any problems with performing the songs from
Nomzamo (1987) and
Are You Sitting Comfortably
(1989). Therefore songs as Human Nature -
once again with Griffiths on sax - the acoustic piano version of
War Heroes and the complete version of
Nothing At All sounded
like natural IQ-tunes. Guiding Light
apparently
has turned into an audience favourite since it was welcomed with a lot of
cheering. It was directly followed by Closer,
a fine ballad from Frequency. After that
the final song of the set was announced as a cautionary tale. This could only
mean that they would perform the song where most IQ fans had been waiting for:
The Enemy Smacks. This piece contains a
strong acting part of Peter Nicholls in which he plays a drug addict. Again
Nicholls was a striking appearance during this classic piece. Many people
watched him breathlessly while performing with a white mask on. He did it
again! Because of this act this piece got so much extra! It finished the regular
set in style.
It was obvious that the encores were used to party and again the balloons entered the venue just like the day before. IQ started the first encore with Capricorn, a track from Subterranea. Next were two rather old songs: About Lake Five from the demo Seven Stories Into Eight and Awake And Nervous from Tales From The Lush Attic. During the latter they included a Status Quo tune which was quite funny. At the screen it was visualized as Ique. Stomach Of Animal was a real surprise since it only appeared on an old demo tape called Skippy The Fish. Last track The Wake was a fine closing tune for two days of IQ. It's regarded to be one of the ultimate classic IQ songs and thus a great tune to end a gig with. After the band's excellent performance the musicians went to the venue's café where a special birthday cake was presented to celebrate the 30th anniversary. Peter Nicholls told the audience that they were ready for the next thirty years. Well, I hope we can witness this in good health for most of the fans and the musicians themselves have now become seniors who by then probably walk with a Zimmer frame... However, I guess we all have to celebrate their 35th anniversary first and hopefully just as enjoyable as this weekend! I would like to congratulate one of the best progressive rock bands around giving one of the best concerts of 2011!
Henri Strik (edited by Peter Willemsen)
|
| Peter Nicholls |
Just like twelve years ago IQ used a large projection screen at the back of the stage and a transparent curtain to cover the stage behind which the musicians sometimes performed. Everything turned out to be exactly the same as during the first performance of Subterranea: at the start lead singer Peter Nicholls still sat behind imaginary bars, he still wore a leather bondage hood later on in the show, he still 'killed' somebody on stage and towards the end the musicians still changed their black blouses for white ones. During the show Paul 'Cookie' Cook appeared to be the driving force on stage. His drumming especially dominated the up-tempo songs. During the quiet and almost ambient pieces guitarist Mike Holmes assisted Neil Durant on keyboards. It proved that
|
| Mike Holmes (L) and Neil Durant |
Day two started in the afternoon with an IQ-quiz, but I hadn't yet arrived at the venue to witness it. Just a couple of minutes before the second gig I entered the building. As usual the concert started with strong visuals at the screen at the back of the stage showing all kinds of line-up shots from their thirty-year long career. These shots were accompanied by a newly written and excellent instrumental piece called Eloko followed by a fine version of Outer Limits from the band's second album The Wake (1985). Strangely enough they continued with The Darkest Hour, the third encore of the previous day. It was again well-performed, but I would rather have heard a song they hadn't played earlier this weekend. Leap Of Faith, for instance, wasn't performed at all. A bit sad because this piece belongs to the highlights of the band's back catalogue! The next track Born Brilliant was connected to Frequency without an interruption. The Last Human Gateway, the band's first epic from their debut Tales From The Lush Attic (1983), was enthusiastically welcomed. Nowadays, IQ hardly performs the complete version of this fine piece. As far as I can recall, they last performed it in The Netherlands in 2004 at 013 in Tilburg. Next was Through The Corridors, also a piece from the band's debut that's hardly ever on the set list. This three-minute piece proves that a good prog tune doesn't have to be that long.
|
| Paul Cook (with cake) and Tim Esau (R) |
It was obvious that the encores were used to party and again the balloons entered the venue just like the day before. IQ started the first encore with Capricorn, a track from Subterranea. Next were two rather old songs: About Lake Five from the demo Seven Stories Into Eight and Awake And Nervous from Tales From The Lush Attic. During the latter they included a Status Quo tune which was quite funny. At the screen it was visualized as Ique. Stomach Of Animal was a real surprise since it only appeared on an old demo tape called Skippy The Fish. Last track The Wake was a fine closing tune for two days of IQ. It's regarded to be one of the ultimate classic IQ songs and thus a great tune to end a gig with. After the band's excellent performance the musicians went to the venue's café where a special birthday cake was presented to celebrate the 30th anniversary. Peter Nicholls told the audience that they were ready for the next thirty years. Well, I hope we can witness this in good health for most of the fans and the musicians themselves have now become seniors who by then probably walk with a Zimmer frame... However, I guess we all have to celebrate their 35th anniversary first and hopefully just as enjoyable as this weekend! I would like to congratulate one of the best progressive rock bands around giving one of the best concerts of 2011!
Henri Strik (edited by Peter Willemsen)
