The idea for this
Keith Emerson and
John Wetton tribute mini tour started May last year, during
a tribute concert to Keith Emerson (who committed suicide on March 10th, 2016) in Los Angeles. It featured more
than 30 musical friends on stage, including
Marc Bonilla and
Eddie Jobson (who played the famous
Lucky Man synthesizer solo on a modular Moog). Then Marc proposed that Eddie organize a Keith Emerson
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Eddie Jobson: keyboard, laptop and storytelling |
tribute tour, they agreed but due to the huge costs of a large scale tour Eddie and Marc decided to do an 'intimate
semi-acoustic tour'. When meanwhile John Wetton passed away (January 31st, 2017) they named it 'The Fallen Angels
Tour', what a wonderful but also emotional play of words.
Well, this evening around 200 fans gathered to experience this unique progrock event. The concert started with
Eddie Jobson telling funny, interesting and captivating personal stories about Keith Emerson ("listening to him
changed my life, when I was a classically trained 15 year old musician!") and John Wetton ("great melodic vocal
lines"). Then Marc Bonilla entered the stage and we could enjoy a great rendition of the awesome ELP composition
Trilogy. Eddie Jobson delivered sparkling grand piano runs and exciting Minimoog flights, when you closed
your eyes this was the pivotal Keith Emerson sound. And how about Marc Bonilla his powerful rhythm guitar, wow,
what a tribute and what a start!
The romantic
Rendezvous 6.02 (a smiling Jobson was grateful to the Dutch crowd for making this song a small
hit in Holland) was the best example of the unique intimate semi-acoustic atmosphere this evening (including the
flashy Yamaha CS-80 synthesizer solo), we could enjoy wonderful
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Marc Bonilla: acoustic guitar, vocals and storytelling
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interplay between the piano and acoustic guitar, very moving.
The keyboard-acoustic guitar version of
Carrying No Cross turned out to be my highlight of the evening,
Jobson and Bonilla rose to the occasion: what a splendid and emotional interplay, with dazzling keyboard runs
and propulsive rhythm guitar. It sounded like a bombastic four piece band was playing! On this evening the solo
performances emphasized the unique talents of both musicians. Jobson turned out to be the '
Jimi Hendrix
on the electric violin', what a spectacular distortion and how inventively he let his instrument talk with only
using his fingers. And Bonilla showed why Keith Emerson added him to his band, in my opinion he's the 'John Wetton
of the rhythm guitar'!
The 'encore' was the legendary ELP hit single
Lucky Man, the first Minimoog drops of the famous synthesizer
solo let the floor tremble, like a small earthquake, so fat and deep, goosebumps! During this extended, mind blowing
synthesizer solo the crowd showed their huge appreciation, lots of cheers, roars and handclapping, a great progrock
atmosphere and a perfect goodbye.
My conclusion: Eddie Jobson and Marc Bonilla have paid tribute in a very inspired way, with a perfect blend of
skills and emotions, thanks! And I am sure that Keith Emerson and John Wetton (and Allan Holdsworth, he died on
April 17th, 2017 and was mentioned too by Eddie Jobson) would have been touched on this very special and memorable evening.
Erik Neuteboom (edited by Tracy van Os van den Abeelen, pictures by Egbert Rotscheid)