|
The album The Rise Of Medici |
The rock opera
The Rise Of Medici (see
review) was released in 2022 by
Imaginaerium. This is the
collaboration between keyboard player
Clive Nolan (
Arena,
Pendragon), the Italian female
vocalist
Laura Piazzai and guitarist
Eric Bouillette (
Nine Skies), who tragically passed
away in mid-August that same year. With several guest singers they gave their musical interpretation of the tempestuous
lives of the Italian Medici family. It's told in the typically Nolan style of Prog theatre, verging at times on
the operatic, in tandem with Bouillette's musical flourishes telling tales of Renaissance Italy when Cosimo
and Contessina De'Medici ruled Florence. It was probably never the intention to perform the whole rock
opera in front of a live audience. However never say never and sometimes things turn out differently. Because
thanks to a unique collaboration between Clive Nolan, Mr Bowler Music Agency and Serious Music Alphen the first
official performance of the entire
Rise Of Medici rock opera took place in the Netherlands. It was held
at the rather small but cosy Parkvilla Theater in Alphen aan de Rijn. To only perform the rock opera was probably
not enough to make it a full entertaining concert program. Therefore, an additional set of Nolans compositions
was added to the show. Making it together the
Clive Nolan & Friends concert.
Part 1: Clive Nolan's selection
So, the first set of the concert kicked off with compositions taken from Clive's massive repertoire. Containing
songs taken from the albums he made with
Arena and
Strangers On A Train. Strangely enough no compositions
were used which can be found on the albums he made with
Shadowland. On the other hand, lots of songs taken
from several of his rock operas could be enjoyed. The first set was a half acoustic show with Clive playing
on one single keyboard and the Italian
Simone Millavia assisted him from to time on the acoustic guitar.
According to Mr. Nolan it was a lot of fun and he really enjoyed sharing various thoughts and anecdotes about
the songs they performed. And telling that from where they were staying during the rehearsals everything was within
a range of 20 minutes!
All of the singers who contributed on the rock opera took part of this semi acoustic performance. They took off
with
Sacrifice, which can be found on the first Strangers On A Train album titled
The Key, Part
I - The Prophecy (1990). The first singer welcomed was the earlier mentioned Laura Piazzai. It was her duty
to sing the vocal parts originally sung by
Tracy Hitchings who sadly passed away December 2022. Clive accompanied
her on the keyboard. It was done in a rather good way. Next up, two Arena tunes. First
How Did It Come to This?
taken from
The Unquiet Sky (2015, see
review). Again, Laura took the vocal parts, which sounded
a bit strange because the original parts are done by a male singer. Namely
Paul Manzi. Together with Clive
and Simone she managed to make it sound very good. The other Arena tune
The Tinder Box, taken from
The
Seventh Degree Of Separation (2011, see
review) came more closer to the original version thanks to the strong
male vocals of
Andy Sears (ex
Twefth Night) and the strong instrumental parts of Clive and Simone.
It made me wonder why Andy never became the lead singer for Arena. It was followed by the second Strangers On
A Train tune. Namely
The fist Veil-Sensing A Presence taken from
The Key, Part II - The Labyrinth.
A song originally sung by the two vocalists of this musical project. Therefore, Laura again stepped forward to
do Tracy's vocal parts and Andy stepped into the shoes of
Alan Reed. With the musical assistance of Clive
and Simone it became a beautiful version of this excellent composition. After that it was time for the more rock
opera and musical kind of songs. They opened with
Closer taken from
She (2007). Here for the first
time the audience could enjoy the wonderful vocals of the classical trained
Marijke Groenendaal who was
accompanied by Clive. It sounded excellent! She also contributed on
Legend Of The Unicorn Orchid taken
from
King's Ransom (2017). She was assisted by Laura, Clive and Simone. This also got an excellent rendition.
Next up probably the highlights of the first set. Andy put on some special costumes to perform the songs
The
End Justifies The Means, taken from
Alchemy (2013, see
review) and
Trust from the upcoming
The
Mortal Light (2024). His singing and gestures were incredible and also Clive did some excellent playing on
his keyboard during those two pieces of music. The first set was closed by another Arena tune. Taken from the
bands most famous album
The Visitor (1998). Again, Laura took care of the vocal parts on
(Don't Forget
to) Breathe. A song which is probably played during every Arena concert according to Clive. And I think he
might be right about that! Together with Simone they did the instrumental parts of the last song of the first
set. Again, it sounded rather strong even sung by a female.
Part 2: first live presentation of The Rise Of Medici
After a short break it was time for the main dish. The first live presentation of
The Rise of Medici rock
opera. The stage was set in a minimal setting. Four singers and one guitarist had the task to give the audience
the best presentation possible. No drummer or bassist. No orchestra or keyboard player to accompany them. Everything
that you would hear came from backing tapes except for the real live vocals and one single electric guitar. I
guess nobody cared it was done this way, because after the final note was sung a standing ovation at the end proved
that the audience loved it all the way. Even if it was done in a simpler way.
The rock opera tells the story of the second generation of the De Medici family from Florence and in particular
the developments in 1434. Leading roles in the rock opera are for son Cosimo played and sung by Andy, his wife
Contessina played and sung by Laura, his behind-great-granddaughter Lucrezia played and sung by Marijke and his
sworn rival and enemy Rinaldo Albizzi played and sung by Clive. The story of the success, envy and betrayal of
Cosimo De Medici was told in the best possible way if I may say so. I will not go into details what happened during
all of the performed compositions. But I can tell you that each of the twelve songs were done in an excellent
way. All singers were dressed in special costumes related to time the story took place. This way they got into
the role they were playing and singing. All of them sung their vocal parts the best possible way they were able
to do. Done with a lot of expression, emotions and passion. As for the acting on stage it was great to see Marijke
reading from her book telling the story of the family. It was great to see Clive walking around and from time
to time see him drinking from his cup. It was great to see Laura moving around in different outfits. Looking always
rather beautiful. And finally, Andy. For me personally the real star and entertainer on the stage. It was great
to see Andy writing his notes with a feather on a piece of paper. But most of all the way he played his role.
With so much passion and emotion he brought the character of Cosimo to live. A real musical star that's for sure!
Of course, we must not forget the excellent guitar player Simone. Who was standing at the back of the stage playing
his parts on his electric guitar. Stepping forward when an incredible solo was played. All in all, I can only
put both of my thumbs up for all of the people on stage for presenting this fine excellent piece of music the
best possible way.
But both of my thumbs also go up for the people of Mr Bowler Music Agency and Serious Music Alphen for bringing
this excellent rock opera to a stage in the Netherlands. And most of all giving its premiere in our tiny country.
Bravo! Hopefully we will have more of these kind of events in this venue. Because if you once tasted such special
performance, you only want more. Don't we?
Henri Strik (edited by Dave Smith)